Director's Choice

Dersu Uzala (1975)
Akira Kurosawa
Japan
136′
A military explorer meets and befriends a Goldi man in Russia’s unmapped forests. A deep and abiding bond evolves between the two men, one civilized in the usual sense, the other at home in the glacial Siberian woods. The film won the 1976 Oscar for Best Foreign Language Film, the Golden Prize and the Prix FIPRESCI at the 9th Moscow International Film Festival and a number of other awards.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Closely Watched Trains (1966)
Jiri Menzel
Czech Republic
89′
The young Miloš Hrma, who speaks with misplaced pride of his family of misfits and malingerers, is engaged as a newly trained station guard in a small railway station during the Second World War and the German occupation of Czechoslovakia. He admires himself in his new uniform, and looks forward, like his prematurely-retired railwayman father, to avoiding real work. The sometimes pompous stationmaster is an enthusiastic pigeon-breeder with a kind wife, but is envious of the train dispatcher Hubička's success with women. Miloš holds an as-yet platonic love for the pretty, young conductor Máša. The experienced Hubička presses for details of their relationship and realizes that Miloš is still a virgin. The idyll of the railway station is periodically disturbed by the arrival of the councillor, Zednicek, a Nazi collaborator, who spouts propaganda at the staff without success. At her initiative, Máša spends the night with Miloš, but in his youthful excitability he ejaculates prematurely before achieving penetration and then is unable to perform sexually; and the next day, despairing, he attempts suicide. He is saved, and a young doctor explains to him that ejaculatio praecox is normal at Miloš's age. The doctor recommends Miloš to "think of something else" (at which point Miloš volunteers an interest in football), and to seek the assistance of an experienced woman. During the nightshift, Hubička flirts with the young telegraphist, Zdenička, and imprints her thighs and buttocks with the office's rubber stamps. Her mother sees the stamps and complains to Hubička's superiors, and the ensuing scandal helps to frustrate the stationmaster's ambition of being promoted to inspector. The Germans and their collaborators are on edge, since their trains are being attacked by the partisans. A glamorous Resistance agent (a circus artist in peacetime), code-named Viktoria Freie, delivers a time bomb to Hubička for use in blowing up a large ammunition train. At Hubička's request, the "experienced" Viktoria also helps Miloš to resolve his sexual problem. The next day, at the crucial moment when the ammunition train is approaching, Hubička is caught up in a farcical disciplinary hearing, overseen by Zednicek, over his rubber stamping of Zdenička's backside. In Hubička's place, Miloš, liberated by his experience with Viktoria from his former passivity, takes the time bomb and drops it from a semaphore gantry, that extends transversely above the tracks, onto the train. A machine-gunner on the train, spotting Miloš, sprays him with bullets, and his body falls onto the train. With the Nazi collaborator Zednicek, winding up the disciplinary hearing, dismissing the Czech people as "nothing but laughing hyenas" (a phrase actually employed by the senior Nazi official Reinhard Heydrich, the implicit retort to his jibe comes in the form of a huge series of explosions that destroys the train. Now Hubička and the other railwaymen are indeed laughing - to express their joy at the blow to the Nazi occupiers - and it is left to a wistful Máša to pick up Miloš's uniform cap, hurled across the station by the power of the blast. (wp)
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
A Separation
Asghar Farhadi
Iran
123′
Simin wants to leave Iran with her husband Nader and daughter Termeh. She has already made all the necessary arrangements. Nader, however, is having second thoughts. He is worried about leaving behind his father, who is suffering from Alzheimer’s. For this reason he decides to call off the trip altogether. As a result of Nader’s decision, Simin decides to sue for divorce at the family court. When her request is rejected, however, she refuses to live with Nader, moving instead into her parents’ home. Termeh decides to stay with her father, hoping that her mother will soon come back to live with them.Nader finds it difficult to cope with the new situation - not least because it turns out to be so time-consuming. And so he hires a young woman named Razieh to look after his father. This young woman is pregnant and has accepted the job without her husband’s knowledge. One day, Nader arrives home to find that not only has his father been left alone, he has also been tied to a table! When Razieh returns, a blazing row ensues, the tragic consequences of which not only shatter Nader’s life, but also the image his daughter Termeh has of her father.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
with bonus
Cairo Station (1958)
Youssef Chahine
Egypt
73′
Melodrama and thriller, social drama and love story in one, the masterly feature film by the Egyptian director Youssef Chahine, made in 1958, is located entirely on the station grounds. The old Madbouli is the owner of a kiosk at Cairo's main railway station. One day he finds a half-starved, poor man at the edge of the tracks. Madbouli feels sorry for the sad-looking, limping farmer Kenaoui and hires him as a flying newspaper salesman. At work, Kenaoui meets the beautiful Hanouma every day, who also earns her living at the station by supplying travellers with lemonade drinks. Kenaoui falls for the cheerful woman and makes it his goal to marry her. Lonely and in obsessive longing, he cuts out lightly dressed women from magazines in his hut at the edge of the train station in the evening, hanging his walls with them. Although he knows that Hanouma is already promised to the suitcase porter and trade unionist Abou Serih, one day he reveals his feelings to her and proposes to her. Her rejection, soaked with mockery and ridicule, drives Kenawi further into a rage-drenched obsession for Hanuma. Restored version.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
with bonus
Nostalgia de la luz
Patricio Guzmán
Chile
90′
In his documentary essay film, Chilean Patricio Guzmán takes a double look at the past: On the one hand there are the astronomers who look up to the sky in the Atacama Desert and explore the origin of the universe, on the other there are the women who search in the desert sand around the observatories for the mortal remains of their loved ones who have become victims of the military dictatorship. A journey into the light.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
The Milk of Sorrow (2009)
Claudia Llosa
Peru
94′
When her mother dies, Fausta is forced to face her fears, that she got as ababy with the milk of her mother. Fausta now sets out on a journey - a journey that will lead her out of her fear and into freedom. Peruvian director Claudia Llosa’s film addresses a dark era of her country’s history. It won the Golden Bear in Berlin and was nominated for the Oscars in 2010.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
A Separation
Asghar Farhadi
Iran
123′
Simin wants to leave Iran with her husband Nader and daughter Termeh. She has already made all the necessary arrangements. Nader, however, is having second thoughts. He is worried about leaving behind his father, who is suffering from Alzheimer’s. For this reason he decides to call off the trip altogether. As a result of Nader’s decision, Simin decides to sue for divorce at the family court. When her request is rejected, however, she refuses to live with Nader, moving instead into her parents’ home. Termeh decides to stay with her father, hoping that her mother will soon come back to live with them.Nader finds it difficult to cope with the new situation - not least because it turns out to be so time-consuming. And so he hires a young woman named Razieh to look after his father. This young woman is pregnant and has accepted the job without her husband’s knowledge. One day, Nader arrives home to find that not only has his father been left alone, he has also been tied to a table! When Razieh returns, a blazing row ensues, the tragic consequences of which not only shatter Nader’s life, but also the image his daughter Termeh has of her father.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
The mirror - Zerkalo (1975)
Andrei Tarkowski
Russia
107′
Alyosha, a 40-year-old filmmaker, falls seriously ill. He remembers his past and collects the memories that marked his life: the house of his childhood, his mother waiting for the improbable return of her husband, the poems of his father, his wife and his son that he has not seen for a long time, the tumult of the Second World War.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Tokyo Story (1953)
Yasujiro OZU
Japan
137′
The Hirayamas travel from their hometown of Onomichi to Tokyo to visit their adult children. But the younger generation make them feel more in the way than welcome. It also emerges that their son’s career as a doctor and their daughter’s as a hairdresser are nowhere near as successful as the couple were led to believe from afar. The only one who really makes an effort to spend time with them is their daughter-in-law, Noriko, the widow of the Hirayama’s son who went missing in the war. On the journey home, mother Hirayama is taken seriously ill and the couple have to make an unscheduled stop in Osaka, where another of their adult children lives. In a succinct, objective and non-judgemental manner, Yasujirō Ozu uses images which are as simple as they are magnificent to tell the story of family estrangement and the isolation inherent in modern society. Ozu himself considered Tōky ō Monogatari his "masterpiece" and the 1963 Retrospective of the Berlin International Film Festival, the "film-historical screenings", was dedicated to him. This is the international premiere of the digitally restored version made by Japanese production company Shochiku.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Banshun - Late Spring (1949)
Yasujiro OZU
Japan
108′
Twenty-seven-year-old Noriko lives with her widowed father, a university professor, in a small house in the tranquil surroundings of northern Kamakura. He is completing a scientific manuscript, aided by his assistant, Hattori. Professor Sonomiya is concerned for his daughter s welfare, and one day suggests she marry Hattori. Noriko only laughs at his suggestion because she is quite happy with her life and knows that Hattori is already engaged. Her aunt Masa, the professor s sister, is the next person to try out her matchmaking skills, and she talks Noriko into meeting Mr Satake. Although Noriko quite likes him, she rejects all thoughts of marriage because she doesn t want to leave her father all alone. When she meets Professor Onodera, an old friend of her father s, in a museum one day and he tells her that he has just remarried, Noriko can hardly disguise her dismay. One of Ozu's favorite themes is the opposing desires of and friction between members of a family even though they feel deep affection and loyalty to each other. Inevitably, these interactions within a family, and particularly the problems which arise between parents and children, will result in some sort of separation. For Noriko it is the separation of marriage, in other Ozu stories it may mean being employed away from home or death. While Ozu is saddened by these events, he also recognizes that they are unavoidable. This awareness of the inherent transience and sadness of human existence is what the Japanese call mono no aware." Beverley Bare Buehrer
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Madagascar (1994)
Fernando Pérez
Cuba
48′
"I dream exactly what I live every day," a professor, bored with her mundane life, tells her therapist. But the visual evidence on screen at the start of "Madagascar" suggests that dreams are never that banal. Bicyclists crowd the street, riding to work in slow motion in a haunting, shadowy blue dawn. The 50-minute "Madagascar" has the resonance and eloquence of the best poetry, as it deftly turns an adolescent's search for identity into a metaphor for post-revolutionary Cuba. Laura is a professor at a shabby, stultifying college. Her daughter, Laurita, stops going to school, wishes to move to Madagascar and quickly races through several phases. One day, she looks like a heavy-metal fan, another like a bohemian who weeps at poetry and art. Slowly, she crosses the line from ordinary adolescent confusion to intense neurosis and beyond, finally becoming so obsessed with religion and good works that she brings 10 homeless children into the cramped house she shares with her mother and grandmother. The film's director, Fernando Perez, creates graceful scenes linked by the merest narrative thread. His compressed episodes make it clear that Laura and Laurita, pre- and post-revolutuonary women, share a desperate search for some purpose in life. When Laura looks wistfully at a photograph of herself in May 1969, it is a rare reference to her political dreams, yet Mr. Perez has created an extraordinary meditation on the lost promise of youth and revolution. (Caryn James, in The New York Times)
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
with bonus
Nostalgia de la luz
Patricio Guzmán
Chile
90′
In his documentary essay film, Chilean Patricio Guzmán takes a double look at the past: On the one hand there are the astronomers who look up to the sky in the Atacama Desert and explore the origin of the universe, on the other there are the women who search in the desert sand around the observatories for the mortal remains of their loved ones who have become victims of the military dictatorship. A journey into the light.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
with bonus
Nostalgia de la luz
Patricio Guzmán
Chile
90′
In his documentary essay film, Chilean Patricio Guzmán takes a double look at the past: On the one hand there are the astronomers who look up to the sky in the Atacama Desert and explore the origin of the universe, on the other there are the women who search in the desert sand around the observatories for the mortal remains of their loved ones who have become victims of the military dictatorship. A journey into the light.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
A Separation
Asghar Farhadi
Iran
123′
Simin wants to leave Iran with her husband Nader and daughter Termeh. She has already made all the necessary arrangements. Nader, however, is having second thoughts. He is worried about leaving behind his father, who is suffering from Alzheimer’s. For this reason he decides to call off the trip altogether. As a result of Nader’s decision, Simin decides to sue for divorce at the family court. When her request is rejected, however, she refuses to live with Nader, moving instead into her parents’ home. Termeh decides to stay with her father, hoping that her mother will soon come back to live with them.Nader finds it difficult to cope with the new situation - not least because it turns out to be so time-consuming. And so he hires a young woman named Razieh to look after his father. This young woman is pregnant and has accepted the job without her husband’s knowledge. One day, Nader arrives home to find that not only has his father been left alone, he has also been tied to a table! When Razieh returns, a blazing row ensues, the tragic consequences of which not only shatter Nader’s life, but also the image his daughter Termeh has of her father.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Once Upon A Time In Anatolia
Nuri Bilge Ceylan
Turkey
157′
Life in a small town is akin to journeying in the middle of the steppes: the sense that "something new and different" will spring up behind every hill, but always unerringly similar, tapering, vanishing or lingering monotonous roads...
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
The Cranes Are Flying (1957)
Michail Kalatosow
Russia
91′
Veronika and Boris come together in Moscow shortly before World War II. Walking along the river, they watch cranes fly overhead, and promise to rendezvous before Boris leaves to fight. Boris misses the meeting and is off to the front lines, while Veronika waits patiently, sending letters faithfully. After her house is bombed, Veronika moves in with Boris’ family, into the company of a cousin with his own intentions.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
with bonus
Nostalgia de la luz
Patricio Guzmán
Chile
90′
In his documentary essay film, Chilean Patricio Guzmán takes a double look at the past: On the one hand there are the astronomers who look up to the sky in the Atacama Desert and explore the origin of the universe, on the other there are the women who search in the desert sand around the observatories for the mortal remains of their loved ones who have become victims of the military dictatorship. A journey into the light.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Teza (2008)
Haile Gerima
Ethiopia
133′
Anberber has studied in Germany and returns post-graduate to Ethiopia. He is full of hope that he can support his country with his newly acquired knowledge. It's a story about hope and disillusionment, about foreignness and homeland.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Once Upon A Time In Anatolia
Nuri Bilge Ceylan
Turkey
157′
Life in a small town is akin to journeying in the middle of the steppes: the sense that "something new and different" will spring up behind every hill, but always unerringly similar, tapering, vanishing or lingering monotonous roads...
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Stray Dog (1949)
Akira Kurosawa
Japan
122′
He is still young, the actor who should become known around the world with masterpieces like "Rashomon" or "The Seven Samurai". Here, Akira Kurosawa has created a thriller against the background of the recent and completely unprocessed Japanese war past, of which many of the characters, whether woman or man, talk. "Stray Dog" plays during the sultry hot summer in Tokyo in 1949. The young and completely inexperienced inspector Murakami (Toshiro Mifune) gets his loaded service weapon stolen from his jacket pocket in an overcrowded bus. Murakami is beside himself. He fears the worst consequences for his still young career. Together with his older colleague Sato from the theft department, he sets out on a search for traces of the thief. While we roam about the Japanese post-war setting with him, he gains experiences and learns to keep calm from the old and experienced colleague Sato. Women who are involved in what is going on are also snarling at him as a greenhorn. An impressive milieu study by Akira Kurosawa, in which the master proves himself in the genre film and shows us what he is capable of in narrative, atmospheric and visual terms.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Banshun - Late Spring (1949)
Yasujiro OZU
Japan
108′
Twenty-seven-year-old Noriko lives with her widowed father, a university professor, in a small house in the tranquil surroundings of northern Kamakura. He is completing a scientific manuscript, aided by his assistant, Hattori. Professor Sonomiya is concerned for his daughter s welfare, and one day suggests she marry Hattori. Noriko only laughs at his suggestion because she is quite happy with her life and knows that Hattori is already engaged. Her aunt Masa, the professor s sister, is the next person to try out her matchmaking skills, and she talks Noriko into meeting Mr Satake. Although Noriko quite likes him, she rejects all thoughts of marriage because she doesn t want to leave her father all alone. When she meets Professor Onodera, an old friend of her father s, in a museum one day and he tells her that he has just remarried, Noriko can hardly disguise her dismay. One of Ozu's favorite themes is the opposing desires of and friction between members of a family even though they feel deep affection and loyalty to each other. Inevitably, these interactions within a family, and particularly the problems which arise between parents and children, will result in some sort of separation. For Noriko it is the separation of marriage, in other Ozu stories it may mean being employed away from home or death. While Ozu is saddened by these events, he also recognizes that they are unavoidable. This awareness of the inherent transience and sadness of human existence is what the Japanese call mono no aware." Beverley Bare Buehrer
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
The Cranes Are Flying (1957)
Michail Kalatosow
Russia
91′
Veronika and Boris come together in Moscow shortly before World War II. Walking along the river, they watch cranes fly overhead, and promise to rendezvous before Boris leaves to fight. Boris misses the meeting and is off to the front lines, while Veronika waits patiently, sending letters faithfully. After her house is bombed, Veronika moves in with Boris’ family, into the company of a cousin with his own intentions.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Wolf And Sheep
Shahrbanoo Sadat
Afghanistan
87′
In rural Afghanistan, people believe in the stories they invent to tell each other, explaining the mysteries of the world, they don’t understand. Shepherd children own the mountains. Even though there are no grown ups around, they know the rules very well; the main one is that boys and girls are not allowed to be together, they have to be separated. The boys practice with their slings to fight the wolves should they attack the flock. The girls smoke dried branches of wheat secretly and play wedding, dreaming of getting a husband soon. They gossip about every one and everything, but mostly about Sediqa, 11, an outsider among the shepherd children. They think she is cursed, as an evil ghost disguised as a snake bewitched her grandmother. Sediqa picks up her sheep and goats every morning and drops them in the owner’s house every evening. She dreams of having a sling and learn to swing it like the boys and hit a wolf. Qodrat, 11, becomes the gossip topic of everyone after his mother remarries with an old man with two wives. He prefers to be alone in the most isolated parts of the mountains. This is where he meets Sediqa and they become friends until Qodrat’s mother has to send him away.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Los silencios
Beatriz Seigner
Brazil
90′
Nuria, 12, Fabio, 9, and their mother Amparo arrive in a small island in the middle of Amazonia, at the border of Brazil, Colombia and Peru. They ran away from the Colombian armed conflict in which their father disappeared. One day, he reappears in their new house. The family is haunted by this strange secret and discovers the island is peopled with ghosts.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Once Upon A Time In Anatolia
Nuri Bilge Ceylan
Turkey
157′
Life in a small town is akin to journeying in the middle of the steppes: the sense that "something new and different" will spring up behind every hill, but always unerringly similar, tapering, vanishing or lingering monotonous roads...
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Theeb
Naji Abu Nowar
Jordan
100′
In the Ottoman province of Hijaz during World War I, a young Bedouin boy experiences a greatly hastened coming of age as he embarks on a perilous desert journey to guide a British officer to his secret destination. In 1916, in the Hejaz Province of the Ottoman Empire, the young Bedouin Theeb (Jacir Eid) is learning from his elder brother Hussein (Hussein Salameh) the skills for everyday survival in their harsh environment. Immersed in a way of life that has endured for centuries, the brothers are unaware of the tremendous upheavals taking place at the fringes of their world: the First World War is raging in Europe, the Ottoman Empire is coming undone, the Great Arab Revolt is brewing, and the British officer T.E. Lawrence is plotting with the Arab Prince Faisal to establish an Arab kingdom. When British officer Edward (Jack Fox) and his Bedouin guide Marji (Marji Audeh) stumble wayward into their tribe's camp, the two brothers' destiny is forever changed. Abiding by the Bedouin custom that guests cannot be refused aid, Hussein is assigned to accompany the two strangers to their destination - with the uninvited Theeb, eager for adventure, following close behind. The ensuing journey, filled with danger and hardship, will result in Theeb's greatly hastened maturation in a culture where a man's honour and righteousness determines his inclusion or expulsion from the community.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Markus Raetz (2007)
Iwan Schumacher
Switzerland
75′
The Swiss artist Markus Raetz is an established figure in the international art world. For the film by Iwan Schumacher, the artist from Bern is for the first time giving a camera team an insight into his 40 years of work.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.
Matlosa (1981)
Villi Hermann
Switzerland
94′
Alfredo seems to lead the life of so many Ticinese families born in the valleys, who now only go back to their native village for the weekend. But Alfredo doesn’t longer experiences the journey as a form of escapism, but as an obsessive rite which is repeated over and over again. Alfredo has lost his own identity.
Added to List
Removed from List
The request failed. Please make sure you are connected to the Internet and try again. If this does not help, we will be happy to support you by e-mail at support@filmingo.de or by phone at +41 (0)56 430 12 30
In order to create a list, please log in or register in case you do not have an account yet.