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2 days ago
The Killing of a Sacred Deer (2017)
Yorgos Lanthimos
Ireland
121′
Dr. Steven Murphy is a renowned cardiovascular surgeon who presides over a spotless household with his wife and two children. Lurking at the margins of his idyllic suburban existence is Martin, a fatherless teen who insinuates himself into the doctor's life in gradually unsettling ways.
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2 weeks ago
Ray & Liz (2018)
Richard Billingham
United Kingdom
108′
On the outskirts of Birmingham and the margins of society the Billingham family perform extreme rituals and break social taboos as they muddle through a life decided by factors beyond their control. At times shocking and laced with an unsettling humor, three episodes unfold as a powerful evocation of the experience of growing up in a Black Country council flat.
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3 weeks ago
Dragon Inn (1971)
King Hu
Taiwan
116′
After a successful intrigue, General Yu is executed by his political opponent eunuch Zhao and his children are banished from China. But the General's children are a thorn in Zhao's side and so he does everything to kill them on their way into exile. He sets an ambush at the lonely hostel at the dragon gate. But the faithful followers of the assassinated general rush to help the children. A fight for life and death unleashes itself.
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4 weeks ago
Virgin Mountain (2015)
Dagur Kari
Iceland
92′
Like a young bird yet to find the courage to lift its wings, Fúsi (43) lives alone with his mother, where they've always lived.
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4 weeks ago
Dogman (2018)
Matteo Garrone
Italy
99′
Marcello, a small and gentle dog groomer, finds himself involved in a dangerous relationship of subjugation with Simone, a former violent boxer who terrorises the entire neighbourhood. In an effort to reaffirm his dignity, Marcello will submit to an unexpected act of vengeance.
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1 month ago
A Touch Of Zen (1971)
King Hu
Taiwan
179′
A lady fugitive on the run from corrupt government officials is joined in her endeavors by an unambitious painter and skilled Buddhist monks.
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2 months ago
Lucky (2017)
John Carroll Lynch
United States
85′
Lucky tells the story of a 90-year-old man (Harry Dean Stanton) and his struggle against encroaching old age. The film depicts his coming to terms with his own mortality, as he searches for enlightenment.
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Terra em transe - Land Entranced (1967)
Glauber Rocha
Brazil
108′
El Dorado, a fictional country. Paulo, a poetry-writing intellectual, oscillates between the political extremes. First he devotes himself to the right-wing conservative Diaz, until he sees through the latter’s pseudo-religious fascism. Then he takes the side of Vieira, the populist reformer who wants to free the country of its misery. But Paulo’s true love is for Sara, the communist who works for Vieira. Paulo is forced to realize that both are interested only in power, not in change, and that they are willing to use any means to achieve their end. Disappointed and despairing, he sets off on his own path as a revolutionary, a path on which Sara is no longer able to follow him. He is shot and dies a lonely death, with a gun in his hand, sending a signal for others to take up arms. The lasting relevance of this masterpiece lies in the scene of long agony before Paulo dies. Sara calls out the question to him, “What does your death prove?” And he answers, “The victory of beauty and justice!” Glauber Rocha trusts in culture’s power of survival and connects it with the necessary struggle for social justice.
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Porto (2016)
Gabe Klinger
Portugal
73′
Jake and Mati are two outsiders in the northerly Portuguese city of Porto who once experienced a brief connection. A mystery remains about the moments they shared, and in searching through memories, they relive the depths of a night uninhibited by the consequences of time.
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Alyam, Alyam (1978)
Ahmed El Maanouni
Morocco
87′
Set in a small village in the Moroccan countryside, Alyam, Alyam tells a story culled from the lived reality of young men almost forty years ago while still remaining very much of the present day. A young man named Abdelwahed pins his dreams of a better life for himself and his family on travelling to France and finding work there. As the eldest of eight children, he becomes the principal caretaker and breadwinner for his family after his father passes away. He fills out forms and waits for his work permit to arrive. Meanwhile, Hlima, his recently widowed mother who’s reticent to let him go, tries in vain to dissuade him and enlists the help of Abdelwahed’s grandfather too. As the days flow by to the cadence of life in the countryside, marked by the hardships of farming, Abdelwahed waits. All he can do is wait. Straddling fiction and documentary, Alyam, Alyam is Ahmed El Maanouni’s first narrative feature, and the first Moroccan film ever to be selected at the Cannes Film Festival. Recently restored, the film’s splendor and finely crafted editing has become available once again for cinéphiles and new generations to discover.
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After the Curfew (1954)
Usmar Ismail
Indonesia
103′
A little-known, passionate tale of a revolutionary hero returning to civilian life after the liberation from Dutch colonial rule that took top honours at Indonesia’s Citra Film Awards, 1955. Lewat Djam Malam (After the Curfew) is a passionate work looking directly at a crucial moment of conflict in Indonesian history: the aftermath of the four-year Republican revolution which brought an end to Dutch rule. This is a visually and dramatically potent film about anger and disillusionment, about the dream of a new society cheapened and misshapen by government repression on the one hand and bourgeois complacency on the other. The film’s director, Usmar Ismail, is generally considered to be the father of Indonesian cinema, and his entire body of work was directly engaged with ongoing evolution of Indonesian society. He began as a playwright and founder of Maya, a drama collective that began during the years of Japanese occupation. And it was during this period when Ismail developed an interest in filmmaking. He began making films for Andjar Asmara in the late 40s and then started Perfini (Perusahaan Film Nasional Indonesian) in 1950, which he considered his real beginning as a filmmaker. Lewat Djam Malam, a co-production between Perfini and Djamaluddin Malik’s company Persari, was perhaps Ismail’s greatest critical and commercial success.
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Coming soon for streaming

December 28th 2020
The Travelling Players - O Thiassos (1975)
Theo Angelopoulos
Greece
222′
The Travelling Players is a film of epic proportions. The action takes place during the years 1939-52 and is seen as a series of individual, often inexplicable events or tableaux, commentated by monologues, by slogans written on the walls, or by songs. It reveals the period's turbulent history while focusing on a travelling company of actors who spend those fourteen years wandering through provinces, cities and villages, performing, in increasingly threadbare circumstances, a 19th century pastoral melodrama, Persiadis' Golfo the Shepherdess. They never get to finish the play and the tranquil sheep painted on their back cloth gaze down upon generations of anguish and bloodshed. The passage of history reverberates in individual incidents or is summarized in symbols. These sad, shabby, often hungry folk, whose relationship is based on the family of the House of Atreus, are of varying political hues - from active collaborators with the Nazis (Aegisthus), to opportunists (Chrysothemis), to centrist Greek patriots (Agamemnon), to the apolitical (Clytemnestra), to left-wing idealists (Electra), to communist guerillas (Orestes). And they fill these roles as much as they do the mythic ones of wandering general, faithless wife, betrayer or vengeful son. As they travel amid the constant wartime convulsions, they begin, unconsciously, to enact parallels to Aeschylus' tragic cycle.
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