Every ten years, the British film magazine Sight & Sound conducts a broad survey of more than 1,000 filmmakers and critics around the world to find out the best films of all time. We offer you a nice selection of the top films.
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The final part of Yasujiro Ozu’s loosely connected ‘Noriko’ trilogy is a devastating story of elderly grandparents brushed aside by their self-involved family.
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Rashomon shows us impossibility of understanding the world and the inability of discovering the truth – those are, at first sight, European existential values, but they were brought to cinema by its Eastern film director. — Gulnara Abikeyeva
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The most personal of Andrey Tarkovsky’s movies, in The Mirror he found a poetic equivalent for the verses of his father Arseny Tarkovsky and convinced the world of the immortality of the great Russian artistic tradition. - Peter Shepotinnik
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Parajanov’s lyrical evocation of the life of the 18th century Armenian poet Harutyan Sayatyan uses symbolic imagery patterned after Armenian icons and the folk theatre traditions of masque and mime, and is told through a series of titled episodes.
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Via several dramatic and fantastic stories set in 16th century feudal Japan, Ugetsu monogatari is a film of extraordinary power and accuracy about the human condition. The greatest of Japanese filmmakers, in his films Mizoguchi expresses perfectly the universality of an art that is however rooted in Japanese culture and history. It is the apogee of film classicism. — Olivier Pere
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A fixture in the critical canon almost since its premiere, Sergei Eisenstein’s film about a 1905 naval mutiny was revolutionary in both form and content.
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Andrei Rublev is a strongest story about the artist – the suffering of the creator and creation. Tarkovski made the individual story of Rubljov much bigger then it was in reality until finally it is like a symbol, an archetype of the artist and his relationships with power and absolutist authority. I also like the visual language of the film. The scene with bells is one of the greatest in history of the cinema. — Tiina Lok
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Stalker is a genius melancholy utopist’s filmic fever-dream come true. — Michel Lipkes
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Yasujiro Ozu’s exploration of the relationship between a widower and his unmarried adult daughter is often described as the perfect distillation of his style. Chishu Ryu and Setsuko Hara star.
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This sweeping historical tragedy about two children separated from their parents and sold into slavery continued a run of late masterpieces from Kenji Mizoguchi.
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