Tip of the week

Travelled to the Soviet Union with many prejudices, the American businessman Mr. West has to correct his view of the Soviets after several adventures at the end of his journey. Silent movie grotesque that ironically glosses the erroneous opinions of the West about the USSR. A film historical document worth seeing. (Dictionary of International Cinema)

Life in a small town is akin to journeying in the middle of the steppes: the sense that "something new and different" will spring up behind every hill, but always unerringly similar, tapering, vanishing or lingering monotonous roads...

Set in modern day Greece, "Worlds Apart" is comprised of three separate narratives each following a love story between a foreigner and a Greek. Each story represents a different generation falling in love during a time of socioeconomic turmoil that dominates Southern Europe as a whole,only to connect as a single story in the end. Almost like a triptych work of art where each painting stands alone,yet its true impact lies when viewed as a whole. "Worlds Apart", follows the characters difficult path to love and the complications that their world has. Nevertheless Greece,despite its harsh realities,is still a place where truth,beauty and humanity exist. A place where love can thrive even in the darkest hour. Release places in german speaking Switzerland january 19th 2017 Baden, Kino Orient Basel, Kult.kino Berne, Movie Brugg, Odeon Chur, Apollo Lucerne, Bourbaki Winterthur, Loge Zürich, Capitol Zürich, Houdini Olten, Lichtspiel, january 28 Thun, february 6 Release places in french speaking Switzerland march 1st Delémont Fribourg, Rex Fribourg, Rex: CinéBrunch february 12 Geneva, Cinelux Lausanne, Galeries Vevey Oron-la-ville, march 5

On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman. An intense relationship develops between the two.

The origins of the Colombian drug trade, through the epic story of an indigenous Wayúu family that becomes involved in the booming business of selling marijuana to American youth in the 1970s. When greed, passion and honour collide, a fratricidal war breaks out that will put their lives, their culture and their ancestral traditions at stake. «A film of both gangsters and spirits. A family film, an ensemble story of strong, intuitive, resilient and powerful women, who wait at home for unconscious, impulsive, fearful men, as they talk, they negotiate, they run around. Intuition vs reason, innocence vs vengeance, word vs honour. All in telling the great tragedy that would curse us forever. The great taboo that we are not allowed to discuss. Told, for once, in an intimate, personal way. Our own way. That soft breeze that seemed to come to refresh, and became the ravaging storm that showed us the true face of capitalism, its purest form. Our Jayeechi, our birdsong.» Cristina Gallego/Ciro Guerra

The 80-year-old psychiatrist and best-selling author Irvin D. Yalom is considered the most influential psychotherapist in the USA. He has sold millions of books worldwide. Critics describe him as inspiring, compelling and life-changing. His work emphasizes the value of relationships and focuses on how therapy works. The film "Yalom's Cure" offers more than a classic biography: Yalom takes the audience on an existential journey through the many layers of the human psyche. In the role of the tour guide, Yalom shares his insights and provides deep insights into his own soul life.

The young Miloš Hrma, who speaks with misplaced pride of his family of misfits and malingerers, is engaged as a newly trained station guard in a small railway station during the Second World War and the German occupation of Czechoslovakia. He admires himself in his new uniform, and looks forward, like his prematurely-retired railwayman father, to avoiding real work. The sometimes pompous stationmaster is an enthusiastic pigeon-breeder with a kind wife, but is envious of the train dispatcher Hubička's success with women. Miloš holds an as-yet platonic love for the pretty, young conductor Máša. The experienced Hubička presses for details of their relationship and realizes that Miloš is still a virgin. The idyll of the railway station is periodically disturbed by the arrival of the councillor, Zednicek, a Nazi collaborator, who spouts propaganda at the staff without success. At her initiative, Máša spends the night with Miloš, but in his youthful excitability he ejaculates prematurely before achieving penetration and then is unable to perform sexually; and the next day, despairing, he attempts suicide. He is saved, and a young doctor explains to him that ejaculatio praecox is normal at Miloš's age. The doctor recommends Miloš to "think of something else" (at which point Miloš volunteers an interest in football), and to seek the assistance of an experienced woman. During the nightshift, Hubička flirts with the young telegraphist, Zdenička, and imprints her thighs and buttocks with the office's rubber stamps. Her mother sees the stamps and complains to Hubička's superiors, and the ensuing scandal helps to frustrate the stationmaster's ambition of being promoted to inspector. The Germans and their collaborators are on edge, since their trains are being attacked by the partisans. A glamorous Resistance agent (a circus artist in peacetime), code-named Viktoria Freie, delivers a time bomb to Hubička for use in blowing up a large ammunition train. At Hubička's request, the "experienced" Viktoria also helps Miloš to resolve his sexual problem. The next day, at the crucial moment when the ammunition train is approaching, Hubička is caught up in a farcical disciplinary hearing, overseen by Zednicek, over his rubber stamping of Zdenička's backside. In Hubička's place, Miloš, liberated by his experience with Viktoria from his former passivity, takes the time bomb and drops it from a semaphore gantry, that extends transversely above the tracks, onto the train. A machine-gunner on the train, spotting Miloš, sprays him with bullets, and his body falls onto the train. With the Nazi collaborator Zednicek, winding up the disciplinary hearing, dismissing the Czech people as "nothing but laughing hyenas" (a phrase actually employed by the senior Nazi official Reinhard Heydrich, the implicit retort to his jibe comes in the form of a huge series of explosions that destroys the train. Now Hubička and the other railwaymen are indeed laughing - to express their joy at the blow to the Nazi occupiers - and it is left to a wistful Máša to pick up Miloš's uniform cap, hurled across the station by the power of the blast. (wp)

Three different characters in a Havana, that always seems to be like today, must choose between clinging to their self-restricting beliefs, or getting rid of them to live more freely. Ballerina Mariana has recently promised God celibacy, if she gets the main role of "Giselle"; Social-worker Julia always faints after hearing a certain word, like other people do in the streets to different words; and percussionist Elpidio was abandoned by his mother named Cuba quite some time ago and has not yet gotten over the loss. Now he fells in love with an northern activist. BONUS: Als Zugabe gibt's den Bergsteiger-Dokumentarfilm mit Daniel Anker, der in den 1990er Jahren eine neue Route durch die Eiger-Nordwand gelegt hat und sie als Liebhaber des Films «La vida es silbar» nannte. Sie erfreut sich bei jenen, die gerne Klettern, als beliebt.

Shy and loveable Palestinian Salam is already in his thirties without, however, having quite found his way in life. That is why he eagerly takes on an internship with the successful TV soap «Tel Aviv on Fire». In order to reach the television studio, Salam has to pass through the check-point between his home in Jerusalem and Ramallah on a daily basis. This is where he meets Assi, chief of the Israeli border crossing, who is excited to meet one of the "makers" of his wife's favourite series. To impress his sweetheart, Assi puts increasing pressure on Salam to design the series according to his preferences. Meanwhile, Salam realises that Assi’s creative ideas are his big chance to become a screenwriter. When Assi’s demands are no longer compatible with those of the Arab creator’s, Salam is faced with a dilemma... Director Sameh Zoabi uses Tel Aviv on Fire to approach the conflict in the Middle East from a completely different, original and heartfelt comedic angle.

Timbuktu is silent, the doors closed, the streets empty. No more music, no tea, no cigarettes, no bright colors, no laughs. The women have become shadows. The religious fundamentalists are spreading terror in the region. In the dunes, away from the chaos, Kidane enjoys a quiet life with his wife Satima, his daughter Toya and Issan, his little shepherd. But his peace is short-lived. After accidentally killing Amadou, a fisherman who stroke down his favorite cow, Kidane must face the law of the new foreign rulers determined to defeat an open and tolerant Islam. Against the humiliations and acts of brutality performed by these complex men, Timbuktu tells the story of the silent struggle of the people, the fight for life of little Issan, and the uncertain future of the children.

The story begins with the death of a model worker, who is buried with his labor card as a badge of honor. However, his widow is told she needs that card to claim the benefits she is entitled. The story then takes several surreal turns, as the family of the dead man try to recover the precious card from the grave.

In Lebanon, many parents can simply not afford to have their children officially registered. As a result, these undocumented kids do not exist in the eyes of the state and have no rights. That is the fate of young Zain. But Zain is a fighter: even at his young age, he is already supporting his family with various odd jobs. When Zain's parents plan to marry off his eleven-year-old sister Sahar, Zain does everything in his power to stop them.

Frances (Greta Gerwig) lives in New York, but she doesn’t really have an apartment. Frances is an apprentice for a dance company, but she¹s not really a dancer. Frances has a best friend named Sophie, but they aren’t really speaking anymore. Frances throws herself headlong into her dreams, even as their possible reality dwindles. Frances wants so much more than she has but lives her life with unaccountable joy and lightness. FRANCES HA is a modern comic fable that explores New York, friendship, class, ambition, failure, and redemption.

“Höhenfeuer” is both a story of childhood and of a love affair: The deaf-born “Bub” and his sister “Belli” live with their parents on a remote farm in the mountains. The father intentionally resists the modern age: “I'd rather beat him to death than put him in a home”. After school Belli is not only a servant in her own home but also her younger brother's teacher. From early childhood, they have been an inseparable pair. They love one another. “Holy Mother of God, what sort of children have I?” wails the resigned mother, when the two children do things that are not “normal”. This is just the beginning of the story… Had the film been made 100 years ago – it would have been a saga.

In hope of a better life, two young couples leave their respective countries. Melinda and Nik leave Albania by boat for Italy, in order to be able to live out their forbidden love. Vera and Marko leave Serbia by train for Austria, traveling through Hungary. Marko, a talented cellist, has the opportunity to enter the renowned Vienna Philharmonic Orchestra. But upon their arrival at the border, and even though their visas are in order, their problems begin. Despite the fact that they have nothing to do with a serious incident that took place the night before in Kosovo, and because of unfortunate coincidences, they are arrested. Their hope to realize all their dreams in Europe, synonym for the Promised Land, disappear. As is often the case with young people from the Balkans, they are paying for the previous generations' mistakes.

Masato, a young ramen chef, leaves his hometown in Japan to embark on a culinary journey to Singapore to find out the truth about his past. He uncovers a lot more than family secrets and delicious recipes.

Summer, 1980. Barbara, a doctor, has applied for an exit visa from the GDR (East Germany). Now, as punishment, she has been transferred from Berlin to a small hospital out in the country, far from everything. Jörg, her lover from the West, is already planning her escape. Barbara waits, keeping to herself. The new apartment, the neighbors, summertime, the countryside – none of that means anything to her. Working as a pediatric surgeon under her new boss Andre, she is attentive when it comes to the patients, but quite distanced toward her colleagues. Her future, she feels, will begin later. But Andre confuses her. His confidence in her professional abilities, his caring attitude, his smile. Why does he cover for her when she helps the young runaway Sarah? Does he have an assignment to keep track of her? Is he in love? But as the day of her planned escape quickly approaches, Barbara starts to lose control. Over herself, her plans, over love.

A man wanders through the 20-kilometre exclusion zone around the stricken nuclear reactors at Fukushima. The cherry trees are in bloom and the natural surroundings make an idyllic impression. Radiation is invisible, yet a gaping emptiness looms where the tsunami engulfed streets and houses. The man is wearing normal clothing, just like the people still toughing it out here, for the time being at least. He occa- sionally encounters white "ghosts" in protective clothing, performing strange tasks. As in Tarkovsky’s STALKER, the zone in Fujiwara Toshi’s NO MAN’S ZONE is both a place and a mental state. A gradual disintegration began long before the destruction and devastation, a process defied for the most part by the old people our "Stalker" encounters. A voice accom- panies the filmmaker’s wanderings, that of Armenian-Canadian actress Arsinée Khanjian, a voice from a place of exile, unfamiliar and sympathetic. NO MAN’S ZONE is a complex reflection on the relationship between images and fears, on being addicted to the apocalypse, on the ravaged relationship between man and nature. For the zone to be decontam- inated and returned to the people, nature itself will have to undergo an amputation.

Simin wants to leave Iran with her husband Nader and daughter Termeh. She has already made all the necessary arrangements. Nader, however, is having second thoughts. He is worried about leaving behind his father, who is suffering from Alzheimer’s. For this reason he decides to call off the trip altogether. As a result of Nader’s decision, Simin decides to sue for divorce at the family court. When her request is rejected, however, she refuses to live with Nader, moving instead into her parents’ home. Termeh decides to stay with her father, hoping that her mother will soon come back to live with them.Nader finds it difficult to cope with the new situation - not least because it turns out to be so time-consuming. And so he hires a young woman named Razieh to look after his father. This young woman is pregnant and has accepted the job without her husband’s knowledge. One day, Nader arrives home to find that not only has his father been left alone, he has also been tied to a table! When Razieh returns, a blazing row ensues, the tragic consequences of which not only shatter Nader’s life, but also the image his daughter Termeh has of her father.

The hope of a better life in Europe comes at a high price. Nigeria is separated from the gateway to Europe on the Moroccan coast by more than 3'000 kilometres. During a journey organised by smugglers through the Sahara, Hope, a young Nigerian, meets Cameroonian refugee Léonard. Although snubbed by him, Hope remains at his heels. She knows that Léonard is the only chance she has of surviving this journey. Director Boris Lojkine shot this award-winning drama on location along the world’s most frequented migration route, and uses the story of its two protagonists to make tangible the tragic fate of many refugees.

Peter travels from Germany to Buenos Aires to find the woman he fell head over heels in love with some time ago and who wants to live with. But he doesn't know much more about her than her name, an address that is no longer true, and the memory of enchanting moments. He meets Olinda, who runs a local restaurant and was herself stranded in Argentina half a century ago in search of her great love.

One of the world’s greatest living painters, the German artist Gerhard Richter has spent over half a century experimenting with a tremendous range of techniques and ideas, addressing historical crises and mass media representation alongside explorations of chance procedures. Infamously media-shy, he agreed to appear on camera for the first time in 15 years for a 2007 short by filmmaker Corinna Belz called Gerhard Richter’s Window. Her follow-up, Gerhard Richter Painting, is exactly that: a thrilling document of Richter’s creative process, juxtaposed with intimate conversations (with his critics, his collaborators, and his American gallerist Marian Goodman) and rare archive material. From our fly-on-the-wall perspective, we watch the 79-year-old create a series of large-scale abstract canvasses, using fat brushes and a massive squeegee to apply (and then scrape off) layer after layer of brightly colored paint. This mesmerizing footage, of a highly charged process of creation and destruction, turns Belz’s portrait of an artist into a work of art itself.

Eleven-year-old Chala (Armando Valdés Freire) lives with his addict mother Sonia (Yuliet Cruz). In order to provide for the two of them, he raises carrier pigeons and trains fighting dogs with a man who may or may not be his biological father. School provides a stabilizing force in Chala's life, thanks to his close relationship with his spirited sixty-something teacher, Carmela (Alina Rodríguez). When the boy is sent off to live in a "re-education facility" and Carmela mounts a campaign to have him released, she becomes the target of a witch hunt spearheaded by a school board administrator who regards Carmela's permissive beliefs as incongruent with the new Cuba. But the idealistic, strong-willed woman remains defiant and manages to recruit allies from amongst her fellow teachers, leading to a conflict in which one boy's future reflects the systemic dynamics of contemporary Cuba.

What happens when fathers do more family work than mothers? An overview of families where traditional roles have been reversed. The director's experiences with children are reflected in the film in the form of short animations.

A military explorer meets and befriends a Goldi man in Russia’s unmapped forests. A deep and abiding bond evolves between the two men, one civilized in the usual sense, the other at home in the glacial Siberian woods. The film won the 1976 Oscar for Best Foreign Language Film, the Golden Prize and the Prix FIPRESCI at the 9th Moscow International Film Festival and a number of other awards.

Félicité is a proud and independent woman who works as a singer in a bar in Kinshasa. Whenever she goes on stage, she appears to leave the world and her everyday worries behind. Her audiences are quickly infected by the rhythm of her music and her powerful, melancholy melodies. But then one day Félicité’s son has a terrible accident. Whilst he is in hospital she desperately tries to raise the money needed for his operation. A breathless tour through the impoverished streets and the wealthier districts of the Congolese capital ensues. One of the bar’s regulars is a man named Tabu who has been known to get carried away in every sense of the term. Tabu offers to help Félicité. Reluctantly, she accepts. After his spell in hospital, Félicité’s son has a hard time picking up his old life, but it is lady’s man Tabu of all people who manages to coax him out of his shell. Félicité’s sparsely furnished flat with its permanently defunct fridge becomes a mini utopia in a country that holds no hope for most of its population. The trio forms an eccentric community thrown together by fate, each of whom is free to go their separate ways together.

Luna and Amar are a couple. Their relationship is under great strain. First of all, Amar loses his job for being drunk at work. Luna is very worried and has little hope of realising her fragile dream of having a child with Amar. But her fears for their future increase when Amar takes on a well-paid job in a Muslim community hours away from where they live.Only after quite some time has elapsed during which they have had no contact with each other, is Luna allowed to visit Amar in this community of conservative Wahhabis in its idyllic lakeside location. She notices that the men and veiled women live in strict segregation and are closely watched. Luna asks Amar to return home with her but Amar insists that life in this isolated community of faithful followers has brought him peace and also keeps him from drinking. When he returns home a few weeks later, Luna realises that Amar’s attitude to religion has fundamentally changed. Amar claims that his only interest is to become a better person, but Luna finds it extremely difficult to follow his line of thinking. She begins to question everything that she has believed in, even her desire to have a child. As the wounds of a tragic war-filled past continue to haunt her, Luna tears herself apart searching if love is truly enough to keep her and Amar together on the path to a lifetime of happiness.

The Swiss artist Markus Raetz is an established figure in the international art world. For the film by Iwan Schumacher, the artist from Bern is for the first time giving a camera team an insight into his 40 years of work.

Japanese film director Hirokazu Kore-eda will compete in San Sebastián for the third time, following Wandarfuru raifu (After Life, 1998) and Hana yori mo naho (Hana, 2006). A family drama about grown children visiting their elderly parents, which unfolds over one summer day. The aging parents have lived in the family home for decades. Their son and daughter return for a rare family reunion, bringing their own families with them. They have gathered to commemorate the tragic death of the eldest son, who drowned in an accident fifteen years ago. Although the roomy house is as comforting and unchanging as the mother’s homemade feast, everyone in the family has subtly changed. This is a typical family, bonded by love as well as resentments and secrets. With a subtle balance of gentle humor and wistful sorrow, Kore-eda portrays just how precious and exactly how annoying family can be.

An ageing father waits, in vain, at the bus stop for his son Raghu, a student at the University of Trivandrum, who is supposed to be coming home for the holidays. The elderly Chakyar’s eager happiness slowly turns to disappointment and then anxiety. After several days with no news of Raghu, his family learn that the police have arrested him for singing revolutionary songs at the university’s annual fête. Chakyar goes to the capital, hoping to find support from the Minister of Internal Affairs, and is soon joined by his daughter, who does not, however, share his optimism. When it becomes clear that Raghu cannot escape a jail sentence, the old man gradually loses his reason … In Piravi, Shaji N. Karun denounces not only the corruption that exists within the establishment, but also focuses on the impotence of the individual in the face of an oppressive system. By keeping Raghu off-screen, the director conveys a sense of absence and uncertainty with a rare intensity.

He is still young, the actor who should become known around the world with masterpieces like "Rashomon" or "The Seven Samurai". Here, Akira Kurosawa has created a thriller against the background of the recent and completely unprocessed Japanese war past, of which many of the characters, whether woman or man, talk. "Stray Dog" plays during the sultry hot summer in Tokyo in 1949. The young and completely inexperienced inspector Murakami (Toshiro Mifune) gets his loaded service weapon stolen from his jacket pocket in an overcrowded bus. Murakami is beside himself. He fears the worst consequences for his still young career. Together with his older colleague Sato from the theft department, he sets out on a search for traces of the thief. While we roam about the Japanese post-war setting with him, he gains experiences and learns to keep calm from the old and experienced colleague Sato. Women who are involved in what is going on are also snarling at him as a greenhorn. An impressive milieu study by Akira Kurosawa, in which the master proves himself in the genre film and shows us what he is capable of in narrative, atmospheric and visual terms. Walter Ruggle

In the middle of the Aegean Sea, on a luxury yacht, six men on a fishing trip decide to play a game. During this game, things will be compared, measured and blood will be tested. Friends will become rivals, but at the end of the voyage, when the game is over, the winner will wear the victorious signet ring: the "Chevalier".

When backpackers visit a small village in remote northern Laos in search of a traditional experience, the inhabitants of the village discover the attractions of the West. Two worlds meet at the crossroads of their respective desire; the one longing for authenticity, the other for modernity. In this micro-cosmos, their encounter leaves no one unchanged and tells a poetic story of friendship and how we relate to each other in a rapidly changing world.

This is the story of Yuma a strong-willed and rebellious girl from the poor neighborhoods of Managua who dreams of being a boxer. Managua, today. Yuma wants to be a boxer. In her poor neighborhood, gangs fight for control of the street. In her home, lovelessness is the name of the game. She dreams of the ring, energy and agile feet and hands. They are also her only options. A street, a theft, a chance encounter: Yuma meets Ernesto, a journalism student from the other side of the city. Despite their differences, they fall in love, attracted to each other by their shared desire to find their own space in the world.

Six-year-old Yusuf has just begun attending primary school where he is learning how to read and write. His father, Yakup, is a beekeeper. He goes about his trade deep inside the woods where he hangs up his bee hives in the treetops of the highest trees. The mountain forest is a place of deep mystery to Yusuf and he derives great pleasure from accompanying his father there. One morning Yusuf tells his father about a dream he had the night before. Yakup turns on him curtly telling him never to share his dreams with others. The same day, Yusuf is asked to read out a text in front of the class. He suddenly begins to stutter and he is laughed at by the rest of the class. One day the bees suddenly disappear, throwing into question the family’s means of earning a living. Yakup decides to set off for the remote mountains. But no sooner has he left, than Yusuf stops speaking. His mother Zehra, who works on a tea plantation, suffers a great deal on ac count of her son’s sudden loss of speech, but is unable to persuade him to speak. The days pass - and still Yakup does not return. Mother and son begin to worry. Yusuf goes to his grandmother’s place in a neighbouring village where he spends the magical night during which the prophet’s arrival is celebrated. When he hears the story of the prophet he is convinced that his father, with whom he identifies the holy man, will come home again. Yusuf and his mother set off on a fruitless search for signs of his father’s whereabouts after which Yusuf decides to continue the search for his father on his own. His is a journey into the unknown. Will the dream he had be - come reality?

Recently released from prison, Ali makes the most of his return, amidst much talk of the upcoming elections and promises of change. Despite working nights, he tries to spend the most time possible with his beautiful wife and young daughter. To escape the stress of urban living, Ali retreats to his favorite pastime of hunting in the secluded forest north of town. Tragedy strikes and Ali's wife Sara is accidentally killed in a police shoot-out with demonstrators. After a long and frustrating experience at the police station, Ali's own search for his missing six-year-old daughter ends in horror and pushes him over the edge. In broad daylight, overlooking the busy city's surrounding highways, Ali randomly shoots and kills two policemen. After a high-speed car chase outside of town, Ali flees into the northern forest where he is captured by two police officers. Ali is resigned to his fate and watches quietly as the arguing policemen lose their way in the woods. Situations complicate and the line between hunter and hunted becomes difficult to define...

Does love at first sight exist? This may certainly be the case, but sometimes you need time to be sure of this love. This film describes such a story about getting to know somebody and falling in love as a teenager, and about meeting again many years later. It begins in the 70s, in the summer in a small town by the river. Bruno and Lalo are teenagers and good friends. They hang around together in the heat, until one rainy day Lisa turns up, a beautiful young woman who capriciously and quick-wittedly turns the heads of both boys - and then decides on one of them. Three decades later she is back again and finds the friends from her youth living in differing situations. "I am single now", she says, but I can't get the picture of the three of us out of my head. No, she is certainly no longer the same Lisa for both men as she was back then. The pictures and memories that one had of one another, are these still any use in the present? What was it like back then, this love? What did we want, what happened to us? They ponder these questions in front of the camera, giving voice to their memories. How does a love story and history fit together? Can you carry on where you left off three decades ago? These and other questions are pondered by this film about making friends and falling in love as a teenager, and of meeting again many years later. The wonderfully easy-going triangle of their adolescence can probably not be revived. But what about unique and true love from back then? Paula Hernández’ film is also an experiment about how feelings are linked to the spirit of the time the ups and downs of life, in which light, air and sun play a not insignificant role. An intensive, thoughtful, atmospherically very emotionally intoned film about love and about time, which gives this love a new dimension.

Would you choose your natural son, or the son you believed was yours after spending 6 years together? Kore-eda Hirokazu, the globally acclaimed director of "Nobody Knows", "Still Walking" and "I Wish", returns to the big screen with another family - a family thrown into torment after a phone call from the hospital where the son was born... Ryota has earned everything he has by his hard work, and believes nothing can stop him from pursuing his perfect life as a winner. Then one day, he and his wife, Midori, get an unexpected phone call from the hospital. Their 6-year-old son, Keita, is not 'their' son - the hospital gave them the wrong baby. Ryota is forced to make a life-changing decision, to choose between 'nature' and 'nurture.' Seeing Midori's devotion to Keita even after learning his origin, and communicating with the rough yet caring family that has raised his natural son for the last six years, Ryota also starts to question himself: has he really been a 'father' all these years....

June 1945. Seriously disfigured, singer Nelly Lenz (Nina Hoss), the only survivor of a family deported to Auschwitz, returns to a Berlin. She is accompanied by her faithful friend, Lene (Nina Kunzendorf), an employee of the Jewish Agency. Just after recovering from a facial reconstruction operation, Nelly goes looking for her husband, Johnny (Ronald Zehrfeld), despite Lene's warnings. Johnny is convinced that his wife is missing. When Nelly finds him, he sees only a disturbing resemblance and cannot believe that it is really her....

What if the only evidence of a crime is the testimony of a parent translating the words of her child? Rubens is a carefree, charismatic swimming instructor who finds himself accused of displaying inappropriate affection toward one of his students by the boy’s mother. Other parents and colleagues are only too eager to condemn him. Jabor’s incisive, unsettling debut maintains an intriguing, tension-filled air of mystery even as it exposes our own propensity to pass judgment.

A man from Kathmandu and his wife have been trying unsuccessfully to have a child. The man travels to the mountains of eastern Nepal to seek help from a miracle healer. The healer indeed has a magic potion for him but tells the man he must get back to his wife within thirty-six hours for the medicine to work. The bus that winds its way through the narrow streets, hills and valleys of Nepal is full of people who all need to be somewhere else in a hurry - to meet an internet chat lover, bring someone some money for medicine, or to visit their parents. But the travellers are obliged to stop again and again on account of general strikes, traffic jams, breakdowns and angry villagers. Some of these obstacles are overcome by the passengers themselves, who get to know each other during the trip - they even dress up as a wedding party in order to be allowed to keep moving. Meanwhile, at home, everything has changed ... Deepak Rauniyar’s first feature-length drama is a road movie that is full of surprises and passion; it is also an unflinching portrayal of life in Nepal today.